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Contrasting elements of 'Innocence' and 'Experience' in Blake's poetry 'The Lamb' and 'The Tyger'.

 

Contrasting elements of 'Innocence' and 'Experience' in Blake's poetry 'The Lamb' and 'The Tyger'.

 

William Blake followed his own maxim  that “without contraries is no progression” when in 1794 he published together his 'Songs of Innocence' and 'Songs of Experience' the form and manner of a single book and also described his 'Songs' in the title page as "Showing the Two Contrary States of the Human Soul". ( 2). The two sets of 'Songs'  are very different from each other in character, and accordingly does the poet group his verses under two main headings.

 





‘The Lamb' ( from 'Songs of Innocence') and 'The Tyger’( from 'Songs of Experience') are both representative poem of Blake. They celebrate two contrary states of human soul – innocence and experience. The 'Songs of Innocence' professes an imaginative vision of the state of innocence; the 'Songs of Experience' shows how we challenges, corrupts and destroys this vision. Blake believes that experience is the only way to reach ultimate wisdom, that innocence cannot gain true vision; that innocence by its own nature is easily led to decay that true vision cannot come if one acquiesce  in the distortions of experience. He believes that ultimate wisdom is possible only by the knowledge of these distortions and transcending them eventually. (4).

In ‘The Lamb’ the little child says:

“Little lamb, who made thee?

                                       Dost thou know who made thee?" ( ‘The Lamb', line 1-2)

 

‘The Lamb' celebrates the divinity and innocence not merely of the child but also of the least harmless of creatures on earth. On the other hand, 'The Tyger' shows how experience destroys the state of childlike innocence and puts destructive force in its place. So the plot, content and point of view is too much different.

 

In ‘The Lamb'  little child, the little lamb, the pastoral setting are all Black symbols to convey a special kind of existence or state of soul. It is a state when ‘clothing’ is  'delight’ itself, ‘voice’ is tender, a state of pristine joy. The little boy sings out loudly and delightfully.:

 

"He is called by thy name,

…….He became a little child:

I a child, and thou a lamb,

                                          We are called by his name.” ( 'The Lamb' line 16-18)

Both the lamb and the tiger are created by God. But the lamb represent the milder and gentle aspects of human nature, and the tiger it’s hoarseness and fires aspect. Both of these poems have an imagery and symbol, but they are showing  contrast morality and ideology. The tiger is God's wrath, as the lamb His love. The tiger is ruthless, natural predator. On the other side, the lamb is an object of joy. It’s bleat fills all the valley.

 

This is very much like the ‘Psalm of David' (‘Psalm’ 23) in which "The Lord is my shepherd; I shall not be in want”. It is a state of affluence, and the wealth is joy. It is a state in which every human being as the same measure of security and assurance, love and peace as belongs to a lamb feeding on green pastures under a wise shepherd. In the Blakean corpus this shepherd is God Himself; and therefore it is He who is Himself a Lamb and becomes a little child. As his ‘Songs of Innocence' shows, Blake is essentially a humanist poet who believes that God is the creative and spiritual power in man. Blake believes that in the state of innocence life is governed by ‘Mercy’, ‘Pity', ‘Peace', and ‘Love’ (Blake's ‘The Divine Image'), and these forces five security and sense of completeness. It is for this reason that Blake calls his ‘Songs of Innocence' the 'happy songs'

 

Even the beginning of these poems are very different. In ‘The Lamb' Blake asks a question innocently as a child :

“ Little Lamb, who made thee?

                               Dost thou know who made thee?” ( 'The Lamb’, line 1-2)

But in ‘The Tyger' he asks questions differently as he has experienced all about it. He asks ,

“ ….. What immortal hand or eye

                                         Could frame thy fearful symmetry?”  ( 'The Tyger’, line 3-4)

 

In both the poems Blake makes use of symbols to convey his ideas. In ‘The Lamb' he draws the symbol from the Bible, and makes use of such a familiar figure as the lamb of God. In ' The Tyger’ the symbols, as in other poems of ‘Songs of Experience', are of his own making. The tiger is Blake's symbol for the fires forces in the soul which are needed to break the bones of experience.

 

Yet, Blake never thought this state of joy as the highest state. Rather, he saw this state of child-like happiness as something that cannot last, and "to reach a higher state man must be tested by experience and suffering" (3) . This is the notion that links the two sections of the anthology.

 

‘The Lamb', a mere child, is only concerned with the benign aspects of life, and experiences only peace and happiness out of his companionship with the little lamb for whom he can desire nothing but God's blessings. The speaker of ‘The Tyger, an adult and experienced person, is aware of the hard realities of life. To him the tiger is not simply a creature of beauty (as the lamb is that of peace and innocence) but one who is at the same time fearful ('fearful symmetry') in nature. He is terribly frightened because of its "deadly terrors”.

 

‘The Tyger' therefore, is Blake's symbol for the fierce forces in the human soul which are essential to break the bonds of the destructive forces - cruelty; hypocrisy, poverty, misuse of intellect; distrust of the imagination, political and ecclesiastical institutions, frustration of desire. This helps one interpret the “forests of the night" as referring to ignorance, repression and superstition. The metallic   images suggested by the use of the ‘hammer’, the 'chain', the 'anvil'. The physical perceptions of the creator at work wresting with his stupendous creation are suggested by this shoulder, hand and feet. The spare from and physical movement of the beast have been caught in the 'fearful symmetry' and the idea of physical immediacy is conveyed in the line, “What the hand dare seize the fire?” For some the tiger stands for the pervasive evil in the world; and for others it symbolises an awful beauty in creation of the universe. The forest “of the night” in which the tiger lurks represents ignorance, repression and superstition. The ‘fire’ is a symbol wrath or passion of anger. The 'stars' too suggests the angels – the rebel angels. Thus both ‘The Lamb' and 'The Tyger’ are symbolic poem, but the difference is that 'The Lamb’ is the symbol of innocence  and 'The Tyger’ is the symbol of experience.(6)

 

William Blake's 'The Tyger’ and 'The Blake' are both very short poems in which the author poses  rhetorical questions to what, at a first glance, would appear to be a lamb and a tiger. Since  Blake believes in the existence of God in man, and that apart from man God has no meaning at all, when he asks "Did he who made the Lamb make thee?" (‘The Tyger’, line 20)  He is not only invoking the philosophical question regarding the inscrutable nature of God in whom all irreconcilable find co-existence, but is indeed seeing the presence of good and evil in man himself. So when the "Good" that "obeys reason" is destroyed, he still sees the "Evil" which in “the active springing from Energy" lurking in the "forests” of oppression to restore the world.

 

 

 

 

 

 

 

 

 

 

 

 

BIBLIOGRAPHY

 

 

1)     Black, William, ‘The Lamb’ and ‘The Tyger’, https://www.poetryfoundation.com

2)     Blake, William; 'Songs of Innocence and Experience, showing the two contrary states of human soul' ,Last updated- 23 Nov., 2020 , https://www.encyclopedia.com,

3)     Bowra, C.M.; ‘Songs of Innocence and Experience'. ‘The Romantic Imagination'. OUP, London, 1949.

4)      Bentley, G.E., 'The Stranger From Paradise: A Biography of William Blake'; Last updated – 24 Nov, 2020,  ‘https://www.britannica.com

5)     Weissenberger, C.; “Comparison of William Blake's 'The Lamb' and 'The Tyger'”, Nov. 10, 2014, https://www.academia.edu

6)     Ibrahim, Amal, “Symbolism in Blake’s animal poems 'The Lamb’ and 'The Tyger’ an analytical and descriptive study”; Vol.5, Issue 1. 2017, http://www.rjelal.com

 

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